Fisheye lenses are usually fixed-focal-length affairs, but Sony’s new FE 8–14mm F3.5 Fisheye G offers something different. Its zoom mechanism lets photographers switch between circular and frame-filling diagonal fisheye perspectives, both with a 180° field of view. Add a constant f/3.5 aperture and autofocus, and creative possibilities get interesting.
A film roll-shaped digital module that drops inside classic analog cameras, adding an APS-C sensor, RAW shooting, and 4K video.
The new Ultimate Lens Hood ULHpro uses built-in suction cups for hands-free shooting through windows, while ULHmobile and ULHaction bring the same reflection-blocking trick to smartphones and action cameras. 📷
Built to mark Ultraman’s 60th anniversary, this 18mm F6.3 APS-C lens features an ultra-thin 14 mm profile, manual focus operation, and a pocket-friendly 78 g body-cap-style design.
Content creators and videographers just got a fun new lighting tool with the TELESIN Bi‑Color LED Video Light for Camera, a compact and portable LED […]
SmallRig, the camera accessories maker that lends big cinematic aspiration to your phones, has a piece of awesome news for Transformers fans. It has teamed […]
In a move that has both photography enthusiasts and teddy bear collectors reaching for their wallets, Leica is celebrating the 100th anniversary of its groundbreaking […]
The idea of turning analog cameras into digital ones isn’t new. I’m Back, a company founded by Samuel Mello Medeiros and Filippo Nishino, has been […]
Folks, this is the Lomography Nour Triplet V 2.0/64 Bokeh Control Art Lens – the latest addition to the Lomography family of boundary-pushing artistic lenses. […]
Mirrorless camera is getting smaller. In fact, some have become so small that you cannot be confident with the grip and fear that it may […]
If you are like me who is obsessed with making sure the tripod and the camera are perfectly leveled before shooting, then you’d never take […]